contents 

literary hermenutics

Kata Kulavkova: Un-riddling the riddle: diabolic spider-web

Slavica Gadzova: Parchment and papyrus

Irina Talevska: Bontempelli's magical realism in the novel "The Chess Set in the Mirror"

Mersiha Ismajloska: When the pictures speak

Sofija Grandakovska: Grafitologic mode at narative proceeding of Vladimir Kazakov

Eli Vasilevska: Marina Tsvetaeva's "The Devil" seen through the prism of psychoanalysis

Barish Ali: Murder and Heteroglossia: Reading Orhan Pamuk’s Novels through Derrida and Bakhtin

intermediality

Rajna Koska: Ophelia and the Lady of Shalott: Visualization of the female voice as image and text

Natalija Jovanovic: Intermedia books: Prospero's Palimpsest

theoretical discourses

Jasmina Mojsieva - Guseva: The demonic side of the story about the creativity

Senka Anastasova: Capitalist narrative system as data texts

comparative poetics

Zvonko Taneski: The reception of White dawns by Koco Racin in the Slovac literary and cultural environment

Slavica Srbinovska: From the colonial toward the postcolonial reality of the cultures

Elizabeta Sheleva: To whom what kind of Poem is a pledge – some impressions abouth the transition and the Macedonian poetry

Liljana Todorova: Aime Cesaire - A master of poetry in the French-speaking literature of the 20-th century and a firm political figure

hybrid

Vladimir Martinovski: The book as a witness